Lorrie Moore is so wonderful. Her take on the novel is rooted in short stories, looking at, well, anagrams of what the protagonists could be. Moore enlivens what could be a typical narrative--middle age woman, now single, juggling a child and a relationship with a student--with clever language, interesting changes in point of view, sharp humour, and an imaginary(!) child instead of a real one. Moore refuses a typical narrative and a typical novelistic structure, and instead makes something better.
4.5/5
No comments:
Post a Comment